James Mylne is a British artist renowned for his exceptional biro drawings. He creates his artwork using a range of biro pens, which allows him to produce an array of tones and textures. Mylne has developed a unique Pop Art style that captures the essence of his subjects with incredible realism, detail and precision.
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James Mylne is a British artist, born in 1981. Mylne’s artwork often features pop culture icons and well-known historical figures. He has an eye for detail and focuses on capturing the essence of his subjects through intricate lines and shading.
Mylne’s artwork is not only visually stunning but also thought-provoking. He often incorporates social commentary into his pieces, creating a deeper meaning behind his work. How has Mylne used colour to make the drawing of Donald Trump more dramatic?
Top 10 Facts about biro artist James Mylne:
- James Mylne is a British artist who was born on 5 May, 1981
- He has two degrees; a BA degree in Drawing and MA degree from the Camberwell College of Arts, London
- Each drawing can take between 120 – 250 hours to complete
- His longest ever drawing was from 2021 that took exactly 495 hours!
- Mylne’s first solo exhibition was at The Conningsby Gallery, London in 2008
- Mylne sold his first work of art when he was nineteen years old
- He worked with Microsoft to promote the company’s Surface Pro 3 tablet and digital pen
- In college, his teachers were not too keen on his biro drawings
- He has exhibited work all over the world, including London, Los Angeles, Milan, Paris and Ibiza
- Mylne says that working in pen ‘demands serious focus and careful control’
Mylne’s artwork has a timeless quality to it, with each piece appearing as though it has been created using an old master’s technique. His work is not only visually stunning, but it also demonstrates a mastery of the biro pen medium. Mylne’s biro drawings have been compared to hyper-realistic photography because of their level of detail and accuracy.
Mylne often adds other elements to his drawings, such as pops of colour, logos, symbols or graffiti – helping to ground his work in a Pop Art style, despite also being hyperrealistic.


Why do you think James Mylne sometimes chooses to draw directly onto famous brand bags such as Chanel?
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Open the assistant in a separate window and move it next to your artwork or photograph. Your answers stay with you. Build your own analysis step by step. Use the prompts to make links between what you see, how the artist worked, the mood created and your own ideas. Analyse an artwork using the questions below. Look closely at the artwork and describe what is visible before thinking about its meaning. Describe visible details such as people, objects, setting, colours, shapes and actions. Focus on what you can actually see; save ideas about meaning for later. Sentence starter: Can you be more precise? What details tell you this? Think about the focal point, scale, unusual details and where your eye travels. Sentence starter: Where does your eye move next? How has the artist guided it? Explore the visual language: line, shape, colour, tone, texture, pattern, space, form and composition. Choose the elements you can support with visible evidence. Sentence starter: Can you name a specific area of the artwork as evidence? Look at the overall palette. Consider whether it is warm, cool, limited, complementary, analogous, contrasting, muted or vibrant, and notice where colours appear. Sentence starter: How would you describe the overall palette? Which colours work together or contrast? Is the scheme warm, cool, limited, muted or vibrant, and how does it affect the artwork? Connect two or more choices, such as colour and mood, line and movement, or tone and depth. Sentence starter: Does the colour strengthen the mood, or does another element change the effect? Think about materials, methods and visible evidence of how the artwork may have been made. Use visible clues such as marks, layering, edges, surface and finish. Sentence starter: What visual evidence supports your idea? Could the mark have been made another way? Choose a process you could test in your own sketchbook, rather than simply copy the finished image. 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Sentence starter: How will you judge whether the experiment worked? What could you change if it does not? Look closely at the photograph. Describe what is visible before interpreting its meaning. Describe the subject, setting, objects, people, gestures and details actually visible in the photograph. Sentence starter: What small detail might another viewer overlook? Identify the focal point and consider framing, viewpoint, foreground and background. Sentence starter: How might a different crop or viewpoint change what you notice? Examine framing, camera angle, focus, depth of field, exposure, contrast, light and colour or monochrome. Consider the crop, rule of thirds, leading lines, symmetry, viewpoint, negative space and the relationship between foreground and background. Sentence starter: What would change if the camera were moved higher, lower or closer? Look at the direction and quality of light, highlights, shadows, contrast and the palette. Black-and-white photographs can be analysed through tonal range. Sentence starter: Could the lighting be natural, artificial or mixed? What evidence supports your answer? Consider focus, depth of field, motion blur, shutter speed and how these direct attention. Do not assume the camera settings are known. Sentence starter: How would a wider depth of field or a faster shutter speed change the image? Investigate how the image might have been captured and produced. Consider digital editing, analogue darkroom techniques and physical alterations made by hand to photographic prints. Use evidence to discuss lens choice, camera position, exposure, shutter speed, aperture, film grain, digital noise or editing. Only claim a method when it is known. Sentence starter: Could this effect have been created in-camera, through digital editing, in the darkroom or by physically altering a print? What evidence can you see? 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Always check suggested changes. Feedback helps you develop your own ideas; it does not grade your work.GCSE Art Annotation Assistant
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James Mylne often draws instantly recognisable people in his work. His portraits are highly detailed, with each strand of hair and wrinkle in the skin rendered with incredible precision. To achieve such high levels of accuracy, Mylne often masks the shape of the portrait, and sketches the most challenging parts first, such as the eyes.
Mylne sometimes uses paint or marker pens to fill large areas of black, and add pops of colour with spray paints at the end. Mylne will also draw directly onto unconventional backgrounds such as famous brand bags like Chanel and Prada, cementing the ‘celebrity’ themes that run through his work.
Looking at his works in progress, we can see how Mylne has lightly drawn out all of the shapes, including parts where the light changes from dark to light. We can also start to see how Mylne uses a hatching technique (lines drawn in the same direction, very close to each other) to achieve a range of tones. The more closely the lines are drawn, the darker the tone.
The use of black biro gives the drawings a timeless quality, looking almost as if they have been photocopied rather than drawn by hand. Making use of white is also important to Mylne; the white of the paper against the black of the pen increases the amount of contrast in his work, making fine details such as hair and skin look more realistic.
Teaching James Mylne? This free interactive artist research quiz helps art students explore James Mylne’s symbolism and portraiture through knowledge questions, close looking, artwork comparisons and a creative drawing activity. Suitable for art lessons or independent study.
James Mylne
Art Detective Quiz
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James Mylne has a number of popular videos on his YouTube channel, showing him working and discussing his artworks. On his Instagram he currently has over 17,000 followers!
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What do you think of James Mylne’s artwork? How could you describe it? Which is your favourite piece? Let me know in the comments!








